Post-production
DaVinci Resolve Studio 21. Primary and secondary colour grading, custom LUT workflows, Fusion node compositing and Fairlight audio mixing.
Wilmar Ruiz · Campsie, Sydney NSW
Wilmar Ruiz, video editor, videographer and content producer in Sydney NSW. Video editor. Videographer. Content producer.
World Creative Resources is my independent video practice in Sydney. Marketing agencies and brands plug me in as their on-demand content department: premium, on-brand video produced as fast, consistent series and finished by hand. More than a freelancer, lighter than an agency.
Your on-demand video department. See how I plug into your team →
How I work with agencies and brands
Engagement
By project, retainer or white-label. Plug me in as your on-demand video team.
Built for
Marketing agencies and brands that need premium, on-brand video at scale.
Availability
Remote worldwide. On-location across Greater Sydney. Series delivered fast.
Languages
English and Spanish. Fully bilingual productions for AU and LATAM markets.
Selected work
Video work
Real briefs, real clients, shot and finished by me. Pick a title to watch it.
The production stack
Video production capabilities
Everything below is run in-house, on owned gear. Hover a card to see it in motion.
Cinematography
Panasonic Lumix S5II, professional lighting, SCORP 3 gimbal and on-location audio capture. Built for high-pressure live venues.
Aerial operations
CASA-licensed drone operator. Commercial aerial cinematography across Greater Sydney, flown to the regulations.
Social and brand content
Short-form vertical video built for retention. The hook, title, description and hashtags ship with every piece.
Production management
Pre to post pipeline: reverse-engineered timelines, cost control, versioned backups and scheduling that does not disrupt trade.
Digital marketing and AI
Local SEO certified. Runway, ElevenLabs, Midjourney and Kling used for fast previsualisation and concept boards, which shortens approval time.
The 2026 differential
Systemised speed. Human finish.
The 2026 problem: AI makes content fast but generic, and a real editor makes it exceptional but slow. My answer is a parametric editing system that gives you both: a full series of on-brand videos, produced fast and consistent, then finished by hand with a professional's eye.
Parametrise
Lock your brand
Colours, type, motion, format and tone become reusable parameters. One approved look becomes the DNA of the whole series.
Produce in series
A batch, not a one-off
Content delivered as a consistent series, on-brand across every piece, in a fraction of the usual time. Scale without the drift.
Finish by hand
The human eye
I grade, cut and time every frame myself. The system brings speed and consistency; the story, taste and final polish are mine, sharpened over five years.
AI keeps you consistent. I keep you exceptional.
Corporate rigour, creative output
Experience and skills
Published here in full, so there is nothing to download. Need a PDF for your applicant tracking system? Request it in the form below.
Jan 2024 – Present
Video editor, videographer and content producer
World Creative Resources · Sydney NSW
Grew a solo studio into a book of 6+ recurring commercial clients across hospitality, events, retail, automotive and real estate by owning every stage of the pipeline in-house.
- Delivered social edits within 3 to 5 business days and hero brand edits within 5 to 7 days by building a templated DaVinci Resolve Studio 21 workflow covering grading, Fusion VFX and Fairlight mixing.
- Doubled usable output per shoot day, producing 10+ finished deliverables a month, by capturing and mastering native 9:16 and 16:9 versions in parallel.
- Removed the need for a separate copywriter on every deliverable by writing the platform-native caption, title, description and hashtag set alongside each edit.
- Closed client sign-off inside two revision rounds by locking scope before production with written creative briefs and storyboards.
Mar 2022 – Dec 2023
Freelance videographer and video editor
Commercial contracts · Sydney and remote
- Built a commercial client base from zero within 24 months across hospitality, retail and live-event businesses in Sydney, converting first-project clients into repeat engagements.
- Removed equipment rental from every quote by funding and building a complete production stack entirely from project revenue.
2010 – 2021
Public accountant
Commercial roles · Colombia
The operational foundation
- Processed a high-volume data cycle of 2,000+ files a month with full traceability. That is the same large-scale asset management discipline I apply to media libraries today.
- Met fixed month-end close deadlines every cycle, which is where the respect for production schedules and on-time delivery came from.
- Held a record of zero audit discrepancies across three years. Same quality assurance standard now applied to colour grading and final delivery.
Certifications and licences
Active
CASA-licensed drone operator
Civil Aviation Safety Authority, Australia
Active
NSW driver licence
Full, manual transmission
2026
Advanced music video direction
BRACH
2025
Prompting essentials, generative AI
Google Career Certificates
2024
Digital marketing advanced
Programming Hub
2024
Sound design for filmmaking
Niklas Christl
2024
Advanced video editing, CapCut Pro
Dave Ying
2010
Degree in public accounting
Instituto Universitario CESMAG
Verifiable authority
Client feedback
Every statement below is published by the client on their own accounts.
“The drone videography gave our brand a scale we didn't think possible in the Sydney market.”
SWS Automotive
Automotive
Straight answers
The 2026 questions, answered
Do you use AI? Will it replace the editor?
AI does the repetitive work: versioning, rough passes and previsualisation, so a series ships faster and stays consistent. The story, the colour grade and the final cut are done by me. You get AI speed with a human's judgment, not generic auto-content.
Can you keep our brand consistent across a whole series?
Yes. I lock your colours, type, motion and format as reusable parameters, so every video in the batch belongs to the same brand, with no drift between piece one and piece twenty.
How fast can you deliver a batch of videos?
The parametric system produces a series in a fraction of the one-at-a-time time. Single social edits land in 3 to 5 business days; a batched series is scoped up front so you get a clear, faster timeline.
Can I hire you remotely from outside Sydney?
Yes. Editing is 100% remote, worldwide: send footage and I deliver finished, on-brand video. For filming I cover Greater Sydney; further out, I plan efficient batched shoots so it stays affordable.
Do you deliver ready to post?
Every piece ships ready to publish, with titles, descriptions and hashtags matched to your niche. You just hit post.
Do you white-label for agencies?
Yes. I work as your behind-the-scenes video team: you keep the client relationship and the credit, I deliver the production and editing to your brief and deadlines. By project, retainer or overflow when your in-house team is at capacity.
Do you work in Spanish as well as English?
Yes. English at professional working proficiency and Spanish as a native speaker, including fully bilingual productions for Australian and Latin American audiences.
Hire your Sydney video team
Agencies and brands: tell me what you need and I come back with a plan. By project, retainer or white-label — premium video delivered ready to post. I reply within 24 hours.